“Galpin founded his studio seven years ago, it was predicated on the concept of human-as-isotope, the notion that we are all made of the same infrastructure, the same elements, the same connective tissue, but that even in repetition, there is variance. Here, where the only rules of the game are the laws that govern science, channeling what’s inherently given is vital. ‘A conceptual artist needs to pay attention to the idea, not the process,” he explained. “You have to learn to be an organism and grab at the best pieces. Extract what’s best and then step aside. Once you’ve done the work, you have to get out of the way.'” Read more about Nate in Sun Valley Magazine